Reviews/Quotes

Response From Musicians




From the Critics...




 
“This recording (Key Play) features two outstanding artists in a collaboration that produces true "easy listening". Ed Saindon's approach to the vibraphone is very pianistic, so he is very much at home working with pianist Kenny Werner, who takes the approach that is reflected in his book Effortless Mastery. Everything played is relaxed and effortless. The entire 75-minute CD was recorded in a three-hour session without rehearsal, and the playing shows the highest levels of listening and reacting between two musicians...While most of the tunes are in a relaxed and easy style, Waller's "Jitterbug Waltz" and Saindon's "Spur of the Moment" are up-tempo tunes with impressive technical display. In addition to being an excellent source of quality listening, there is a great deal to be learned from this CD in terms of a fresh approach to vibraphone performance with piano.

F Michael Combs, Percussive Notes (Percussive Arts Society)

            

"...on Key Play, whether soloing of filling, Ed Saindon and Kenny Werner complement each other so well that at times it becomes difficult to tell where one ends and the other begins. Lines flow into lines, back and forth. Where one leaves off the other picks up, creating a seamless flow of music that floats along, carrying the listener with it.

-JazzReview.com


"...on this release (Saindon) not only shows himself to be a master technician but capable of swinging like crazy at any tempo...an astounding solo performance of I Found A New Baby. On this and the duo tracks he makes both a pianist and drummer superfluous, playing with two mallets in each hand and even managing a thrilling counterpoint between them! ...there isn't a dud track and the whole 70 minutes is a constant delight. All lovers of small group swing will like this and it is a must for all vibes fans."

-David Badham, Jazz Journal (England)

 

“As vibraphonist Ed Saindon’s playing is so clean and precise, he is able to lend a type of enhanced vocalization often missed in jazz recordings.”

Matthew Robinson, All Music Guide

          

"...music from the Swing Era that showcases the virtuoso talents of four-mallet vibraphonist Ed Saindon. Saindon has perfected what he calls "a pianistic approach" to the vibes, playing melody lines with his right hand and comping with the left like such keyboard influences as Earl "Fatha" Hines and Art Tatum. He has also managed independence between the four mallets, with inner voicings that you'll have to hear to believe..."

-Les Line (CompuServe Music/Arts Forum)



"Ed Saindon is a vibraphonist of the 1st rank in a specialized realm who swings with exuberance in all contexts...Swing on the SunnySide clearly deserves to be heard...His pianistic approach heralds a new scintillating voice...A fresh mallet leader."

-Down Beat, Jazz Times critic Herb Wong



“Ed Saindon, an elegant, pianistic, four mallet vibist…”

Judith Schlesinger, All Music Guide

 

“Ed Saindon's piano playing is a blend between Bill Evans and Richie Bierach.”

Weekend Jazz (Japan)



“Saindon is a marvelous technician who swings at any tempo.”

Jack Bowers, CD Review



"It'd be a mistake to pigeonhole vibist Ed Saindon as a regional artist, merely a favorite of discerning jazz buffs in the Greater Boston area. Wielding four mallets with surety throughout this release, the Berklee instructor conjures airy, swinging Tin Pan Alley melodies with the practiced technique and exquisite touch of a world-class musician. ...Saindon has a stylistic affinity for pianists such as Earl Hines, Teddy Wilson, Art Tatum, and Fats Waller, and, when he challenges Johnson to a sprint in "Limehouse Blues" or invests "Rosetta" with luminous joy, he's constructing a musical bridge to the time when those piano men, along with Benny Goodman and Bobby Hackett, were among the worthies whose swinging jazz parted the clouds and let the sun shine through."

-Frank John Hadley, Jazziz



"Unlike the majority of jazz musicians his age, Berklee-ensconced vibist and teacher takes as his inspiration the music of the '30s and '40s. But even beyond that, instead of following in the well-trod paths set by his own instrumental forebears - Norvo, Hampton, and Jackson - he bases his style on the models set by the classic pianists of the era."




"A master of the four-mallet technique, Saindon handles such left-hand accompanying devices as stride and walking-bass, but he also embraces the more rhythmically adventurous leaps of Hines and Tatum...he utilizes most of the facets of his varied approach on such beautifully intoned solo features as Ain't Misbehavin', Rosetta, the harp-like When You Wish Upon A Star, I Found A New Baby and You Brought A New Kind Of Love To Me."

-Jack Sohmer, JazzTimes



"No instrument expresses swing better than vibes and no one today is better at it than Ed Saindon. With Saindon we get an outstanding interpreter who adds his own inventiveness and has developed a personal, individual sound."

-Dick Neeld, Jersey Jazz



“virtuosic playing…music that swings”

Penguin Guide to Jazz



"Saindon is a real artist with four mallets, able to control each as an independent voice like a pianist. His choice of material is classic. This one's a treat."

-Jeff Bradley, The Denver Post



"Ed Saindon appreciates the beauty of and knows how to play lyrical improvisations on the American Songbook. Saindon's concept on vibes is pianistic. His four mallet work furnishes a left-handed basis over which the right hand skillfully improvises. Often his vibe solos are unaccompanied..."

-Joe H. Klee, The Mississippi Rag



“The presence of vibes player Ed Saindon is a major factor in the successful outcome of the session. Listen to the clean percussive sound he gets from the metal bars…”

Dave Nathan, All About Jazz



"If you haven't had the opportunity to hear Ed Saindon play the vibraphone, you're in for a treat! "Swing on the Sunnyside", Saindon's latest compact disc, takes the listener through 16 tracks of Swing Era standards...Saindon's compilation is a wonderful tribute to the potential of the vibraphone. Over the years Saindon has developed his "piano style" vibraphone technique, and he really shines on Sunnyside. This style is dedicated in the liner notes to the likes of such pianists as Earl "Fatha" Hines, Fats Waller, Art Tatum and Oscar Peterson. Saindon adapts these piano techniques to the vibraphone in a fluid and natural manner. His soloing and comping utilize stride piano and swing traditions in a way that almost makes the listener forget that Saindon is playing a vibraphone, giving the listener a chance to focus on the expressive content of the music. Jazz lovers, musicians, teachers and students will likely keep this one in their CD players rather than in the storage bin!"

-Mark Ford in Percussive Notes



"Tasteful, graceful small band swing, with Ed Saindon's imaginatively "pianistic" vibes sparking the improvisational fireworks of all the players...Exhilarating!"

-Al Van Starrex (swing critic for Coda and other jazz publications)



"Saindon has great time and a unique sound on his instrument , full and lushly voiced due to his four-mallet technique, but with a short decay. He describes his style as "pianistic" and cites specific techniques of players like Fatha Hines, Teddy Wilson, and George Shearing as inspiration. This is a delightful session and another case of American artistry being more appreciated overseas: Saindon had to go to Holland to get this self-produced disc released."

-IAJRC Journal



“Ed Saindon strikes again with another great album.”

Walt Stone, World Jazz Network



“Ed Saindon puts new life and beauty into some of the best of the great American songs”.

Lawrence Routt, WOBO Radio (Ohio)



"You're about to discover Ed Saindon's original approach to the vibraphone. He plays the vibraphone orchestrally, rather like a piano! ... Saindon has developed and adapted this self-styled "pianistic approach" within the context of small band swing, taking cues from pianists prominent in the stride and swing traditions."

- Critic Fred Bouchard for DownBeat, Jazz Times and Swing Journal



"Ed's ability to swing and play so melodically is perfection...He's a beautiful player."

-Steve Backer (A & R Consultant/Producer for BMG, GRP, RCA, Verve, Arista,Savoy)




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Response From Musicians...




"In these days of fancy and phony music, it's wonderful to hear someone like Ed Saindon clearly uphold the tradition by his wonderful swinging and beautiful melodies...marvellous, sincere playing. The best a musician could ever hope to achieve."

-cornetist Ruby Braff



"Once you've heard Ed, you will never forget him. He has complete control on a very demanding and difficult instrument. I'm amazed by his innovative pianistic approach, remarkable four mallet dexterity and creative harmonic concepts. With Ed's comping alone, his sensitive four mallet accompaniment behind the soloists distinguishes himself among vibists and is a most uncommon feat. With flawless runs, exquisite tone, a wonderful sense of swing and his own original style and concept, Ed is without a doubt a great artist and a one of a kind vibist."

-vibist Peter Appleyard



"With his new approaches and innovative pianistic style, Ed has certainly made lots of new inroads on the vibes, as I see it! I hope more people will recognize his wonderful originality and good taste, because the vibraphone has been sadly neglected when it comes to acknowledging greatness."

-bassist Bob (Hag) Haggart



"Ed Saindon is one of the leaders of the new generation of jazz musicians keeping melody and swing alive. He's a wonderfully lyrical player who swings with fire."

-cornetist Warren Vache



"Upon first hearing Swing on the SunnySide...as a fellow vibist, I was asking myself, who's the other vibist playing along with Ed? When I realized it was Ed playing with his four mallet pianistic approach, the question immediately came up, how does he DO that? To hear Ed play with his unique pianistic approach and with that much swing and drive is really awesome."

-trombonist/vibist Rex Allen



"Beautiful playing...Ed's four mallet work is wonderful."

-guitarist Howard Alden



"Great, swinging performances of wonderful tunes."

-bassist Jack Lesberg



"Ed Saindon is one of the finest vibe players…he has a fine technique and the “ears” to go with it. A swinging jazz player”

-clarinetist Buddy DeFranco



"Not only is Ed an exciting soloist with a great sense of time, he's a sensitive "comper" with an excellent harmonic concept. As a result, he's developed a superior reputation."

-trumpeter Herb Pomeroy



"It was wonderful to have vibist Ed Saindon with us. He's a marvelous talent."

-drummer Louie Bellson



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